“WE WERE HAPPIER WHEN WE WERE POOR.”
It is a line that lingers. In To Kill a Monkey, directed by Kemi Adetiba, a struggling man reconnects with an old friend and slowly drifts into cybercrime. The money comes. The house improves. The strain of unpaid bills eases. From the outside, it looks like progress. Then his wife says it, almost under her […]
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